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Origin of Chinese Character

With language, our ancestors started learning knowledge via which human culture came forth. With characters, they recorded the language and communicated with one another, which distinguished man from animals. It is characters that drew a line between the primitive and civilized durations of human society.
 
You can find lots of sayings in historic Chinese files about the origin of Chinese characters, including "tie knots," the "Eight Diagrams," "picture," and "carved characters," among other folks. The legendary story about Cang Jie inventing characters is mostly recorded in historical books. Due to historical documents, Chinese characters have been made by Cang Jie, a history officer of the legendary Yellow Emperor.
 
Huainanzi says that it was due to the characters Cang Jie invented that the Heaven rained grains and ghosts cried at night. Xunzi (Hsun Tzu) and Shijing (The book of Odes) along with other historic books also record the legend of Cang Jie making Chinese characters. By the Qin (221-206BC) and Han (206BC-220AD) dynasties, the legend had grow to be much more popular and experienced more far-reaching influence.
 
Historians in the previous as soon as tried to prove whether there was a person named Cang Jie in history, and if he did exist, when he lived, but they didn't draw a summary on account of lack irrefutable proof.
 
A number of people conjectured that Cang Jie was the historiographer of the Yellow Emperor. Xunzi thought Cang Jie must have been a prehistoric intelligent male who sorted out and standardized the characters that had already been in use.
 
Obviously the legend of Cang Jie cannot be the truth, for any script can only be described as a generation developed by individuals to satisfy the demands of social life over a protracted period of trial and experiment. Chinese characters are really a large and sophisticated system, and they could only have come into currently being followed by a long time period of creation and development.
 
According to modern day researchers, the ancestors of the Chinese people tied knots in rope to record events. Later on, they adopted sharp weapons to inscribe indicators, and designed the earliest type of Chinese figures. Archeologists have found inscribed indications on Neolithic pottery shards in Banpo Village in Shaanxi Province. These indicators, dating back again to some 6,000 years ago, have been potentially the seeds of later on Chinese characters.
 
Inscribed signs, a little younger than those discovered in Banpo Village, were also found on pottery alongside the reduced reaches in the Yellow River. There, archeologists found an indication with styles of the moon along with a five-peak mountain underneath a circle. Specialists in ancient characters say the pictograph symbolizes the interval in which the moon disappears and the sunlight rises. Mythology researchers have yet another interpretation. Their understanding is that the moon shape symbolizes the crimson clouds as the sun rises, and therefore the picture portrays a sunrise above the ocean.
 
A lot of the symptoms inscribed on pottery were painted red, producing an imposing and mysterious impact. The speculation is that pictographs were ended up employed in sacrificial rituals committed to the sunrise or as prayers for good harvests. They have been inscribed within an orderly way, and the strokes are stuffed with strength. Comparable indications and styles happen to be present in other regions in China, indicating they'd become usually recognized. These are typically the earliest symbols, or pictographs, in China and they are over 5,000 years old.
 
In Qinghai Province in western China, pottery objects of approximately precisely the same time period and inscribed with pictures of birds, bugs and animals happen to be unearthed. These, too, are considered pictographs. Based on philologist Tang Lan, Chinese characters originated from pictures; the older the characters, the more they appear like images. Considering that pictures don't have any fixed forms, the traditional Chinese characters ended up usually free in form.
 
Xu Shen, a philologist of the Han Dynasty (206B.Do.--A.D.220), divided Chinese characters into six classes. Present day scholars have considering that divided them into three types, of which the pictographic character is one particular. The picture symptoms are the embryos of both calligraphy and painting, which gave rise to the Chinese saying that calligraphy and painting have the very same origin. In the beginning, the pictographic characters differed from region to region. As time went by, nonetheless, they become much more standardized, summary and united, and also the earliest Chinese written language, Jiaguwen (Oracle) appeared.